Today we set up our DMX lights and played around with colours. (They are actually owned by ScatterboxFilms and Livedrama but we share!) The dmx lights have their limitations but, in a small space, they work quite well. Some favourites blends on the day were Wimbledon Purple 102:0:102, Pink Aberrations 160:0:160 and Emerald Lime 68:182:7 We got very excited by the chromatic aberrations resulting from a simple R, G, B set up. Continue reading →

Today I met with Carolyne from Edinburgh Creative Salon at the Festival Theatre for a coffee (very nice!) and a chat about the Critical Response Process on offer as part of the support that Hidden Door offers its contributors. Continue reading →

Yesterday we visited Leith Theatre and, more importantly, the Male Instrumentalists Room. For it is there that Rendition will be performed during the Hidden Door Festival on the 30th May 2017. Our space is perfect, evocative, and lit with a gentle glow of daylight from the time dusted windows. Our wee fella came along, too, and was in a reflective mood… Continue reading →

The Tragic Carpet team dropped by the fabulous Leith Theatre today for a site visit in preparation for Hidden Door Festival 2017. The space, as you enter, is breathtaking. I never tire of looking at the graceful lines of the balcony as it arches out from the wall, seemingly unsupported. The soft light from the rooflights streams down into the auditorium, creating a gentle focus in the centre that recedes invitingly into the shadows under the balcony. Continue reading →

The numbers were the first thing that struck me: 19 individuals known to have been held as CIA prisoners in one of the black sites, 12 other prisoners known to have been rendered by the CIA to US military bases or foreign governments for detention and torture. Continue reading →